Oliver Peters over at digitalfilms.wordpress.com has written an excellent series of articles for those working with material shot with the RED Digital Cinema Camera. Peters describes how to take the processor intensive .R3D files (camera original RED material) through transcoding and editing in both Final Cut Pro and Media Composer 5 and then covers the details of reconnecting the offline proxies back to the original hi-resolution masters. Finally he walks you through connecting the original media back to your edited program for color mastering in Apple Color. Mr. Peters is one of the most knowledgeable and articulate members of the digital filmmaking community and these articles provide invaluable information for post production professionals flying solo through the finishing process. This is great information and should be bookmarked or saved as a .pdf for future reference.